Andrea Hubert
Creative Copywriter
The Guardian
The Guardian’s journalism is free online. So why would people pay for it with a digital subscription? With their 200th birthday approaching, the media brand wanted to use this milestone to celebrate their heritage, while also looking to the future. I joined to help work on the 200th celebrations campaigns, as well as other campaigns, display, social channels, podcasts, film, emails and DMs. Other work includes:
- Find Clarity Guardian Weekly campaign
- Joy of Print Campaign
- 200th anniversary campaign
- Today in Focus podcast print campaign
Break Glass Campaign
Having identified Germany as a growth market, we used our modest 50K budget to create maximum impact.
We ran an experiential build which encouraged the public to become active participants in reacting to the overwhelming state of the world and in doing so, realise that reading the Guardian Weekly was a great way to connect with the issues and be armed with the facts to take action.
The result was 3M+ on platform, 6M reached through paid media, a 300% increase in traffic to the Guardian Weekly subscription page, and 84% increase in sales during the peak of the campaign.
Direct response
Sometimes it’s best to take the high road with Morrissey.
Other times, you happen to be working at The Guardian, he pops on a t-shirt, you brainstorm a response over breakfast, and they pick yours. It was a proud moment at work.
MOO.COM
When I joined MOO, I was a team of one in a startup of 10 people. I helped create the brand TOV, and made sure it was consistent across the company as the team grew from 10 to 400 in 4 years. I was the creative behind everything from CRM to OOH, UX and radio and video scripting. During my tenure, I was repsonsible for:
- Packaging and top cards campaign which was widely shared on social media
- A "Stand out with MOO" YouTube ad that gained 2m views.
- A "surprise and delight" email - projected revenue for this email was 50K and the final number was £73K - 46% higher than expected. CTR was 24%, a 71% increase on similar emails, with an average open rate of 16%, 14% higher than previous emails.
- Leading workshops, creative sessions and drilling down into the essence of the brand to come up with simple Brand guidelines for copy conventions, tone and naming, to could future proof our growing product range.
Stand out with MOO
PRE ROLL YOUTUBE ADVERT
MOO TOP CARDS CAMPAIGN
Social Media response
BBC Storyworks
BBC Storyworks work with brands to create beautifully crafted stories that move and inspire, across platforms and across the globe. I joined the team as a freelance creative to write witty scripts that incorporated interviews with leading trade industry figures for the Italian Trade Association. Using footage we shot on site, I created short scripts that incorporated the message, adding a few irreverent touches in the dialogue.
Untold Agency
I regularly work with award winning agency Untold, who created a unique storytelling method with fantastic results in increased engagement, sales and rebranding. They specialise in story-first full campaign ideation and execution, as well as content creation and reinvigoration.
- Best Western, the UK’s largest hotel network, needed a flagship publication to change in brand perception and establish a unique and identifiable voice.Untold created the bi-annual POSTCARD travel magazine. As an experienced long form journalist, I joined their freelance creative pool of writers to contribute articles to this timeless magazine.
- Iconic Czech lager Budweiser Budvar wanted to reposition itself worldwide as the quality lager at the heart of an incredible, thousand-year Czech slow brewing culture. I joined the UNTOLD team as a freelance social media creative for the campaign: Greetings from the Republic of Beer.
- Premium global skincare brand, 111SKIN, needed a partner to help bring alive the richness of its story. During a complex rebrand, and against a tight deadline, we delivered over 80,000 words of copy, and scripted 15 core brand-messaging short-films that powerfully speak to the demographic.
- Best Western, the UK’s largest hotel network, needed a flagship publication to change in brand perception and establish a unique and identifiable voice.Untold created the bi-annual POSTCARD travel magazine. As an experienced long form journalist, I joined their freelance creative pool of writers to contribute articles to this timeless magazine.
Hot Octopuss
Hot Octopuss are an innovative wellness and sexual health start up, who pioneered the hands free “Guybrator”. They are an inclusive brand, catering equally for the able-bodied as for the disabled and ageing sector of the industry, which is often neglected.
It goes without saying that getting paid to come up with slogans for male sex toys isn’t the worst way to make a living. However, the sex toy advertising restrictions are uniquely different, so the scope for creativity is huge. I worked on creative ad campaigns, B2B product launches and events, and produced a range of ghostwritten opinion pieces for the CEO for trade publications.
Nestle
I worked as a freelance creative across several brands, including After Eights, Yorkie, Dolce Gusto Coffee and Smarties.
JOURNALISM
Prior to the wild ride that is the life of a copywriter, I was a journalist. I worked for a tabloid and it was marginally less horrific than a rickety rollercoaster that plunges into molten lava.
Later as a freelancer, I specialised in arts interviews and features, with some beauty articles (not featured here; listicles about anti ageing patches never make one seem like the world’s best writer).
Testimonials
“I couldn’t recommend Andrea highly enough. She joined the Oliver team at The Guardian
as a freelance senior copywriter. She is a brilliant copywriter, got on really well with the
whole team, really proactive. Full of incredibly creative ideas and knows how to execute
them well. She’s also really funny. I highly recommend working with Andrea”
— Sam Jacobs, Creative Director, Apple TV
“It’s been a pleasure to work with Andrea on several projects at Untold. She is quick to immerse herself in the project and understand the brief, and more importantly tone and creative style of a campaign. Being funny when it’s needed is a rare commodity, but she does serious just as well”
— Theo Cooper, Creative Director, Untold Agency